The Stoics recommended journaling to be a vital part of a daily routine. Writing down thoughts and reflecting on the day could bring clarity and build a foundation for making improvements in small steps. Marcus Aurelius offers one of the greatest representations of journaling with The Meditations, constantly reminding himself of his flaws and urging himself to be a better man.
Marcus’ writing style (Yes, we’re on a first name basis) has been analysed in depth to try to build a stronger picture of one of the most powerful men in history. As a copywriter, I find writing style to be a fascinating subject and it’s a huge part of how a brand shapes its tone of voice and the story that will be shared with customers.
In this article I’ll break down Marcus’ writing into a tone of voice across three key areas: tone, cadence and language.
The tone of a Roman emperor
In content marketing and writing, tone is the attitude that a writer brings to the text. It’s the shape of a message that transcends the words, revealing context and intention.
For example, if your partner sent you a text message that said ‘we need to talk’ you may feel worried. If the sentence was rephrased to ‘got a minute to chat?’ you may feel less anxious because the words have been interpreted in a different way. That’s the tone at work.
In Marcus’ case, he writes about heavy themes in The Meditations. This includes death, sickness, fame and war. With such heady subject matter, it’s tempting to see Marcus’ tone as dour and serious, as this passage on death records:
“How rapidly everything vanishes, physical bodies lost in the universe and the memory of them lost in eternity! Look at the nature of every object we perceive, especially those that entice us with the prospect of pleasure, frighten us with the prospect of pain, or are celebrated by humans in their vanity! How worthless, vile, sordid and short-lived things are, just corpses!”
Within his private journals, Marcus could savage the people around him and he frequently refers to the vulgarity of the world. Yet there is more than one aspect to his tone and in other parts of The Meditations he brings a wry humour to his thoughts:
“Hippocrates cured many an illness, before dying of an illness himself. The Chaldaens foretold the deaths of many people, but were then overtaken themselves by their death days. Alexander, Pompey and Julius Caesar wiped out entire cities by the dozen, and slaughtered hundreds of thousands of horseman and foot soldiers in battle, and one day they too passed away.
Heraclitus, as a natural scientist, wrote a great deal about the destruction of the world by fire, and died with his insides filled with water, wrapped up in a poultice of cow dung. Democritus was killed by lice, and a lice of another kind killed Socrates.”
In this passage, Marcus is reflecting on the famous deaths of the philosophers Heraclitus, Democritus and Socrates. There is a humorous irony in his words because Heraclitus spoke of fire in his teachings and it was thought he died of dropsy. There is also the ironic contrast of cow-dung poultices being compared with the loftiness of Heraclitus’ theories.
With Democritus and Socrates, Marcus is providing a dry assessment of Democritus perhaps dying from an infestation of lice (phthiriasis), whereas Socrates was killed by lice of another kind (humans).
Therefore, the tone of Marcus’ writing strikes a balance between seriousness and humour.
A cadence of urgency and abruptness
Cadence refers to the flow of the writing. It’s sentence structure, grammar and rhythm coming together. Think of how a musician sings and uses their voice to create different effects and stir specific emotions in listeners.
Marcus’ cadence is fast-paced and urgent, with his sentences running on from each other at a pace that continues to build towards the main idea he covers in each passage. A good example of this is:
“At the start of the day tell yourself: I shall meet people who are officious, ungrateful, abusive, treacherous, malicious and selfish. In every case, they’ve got like this because of their ignorance of good and bad.
But I have seen goodness and badness for what they are, and I know that what is good is what is morally right, and what is bad is what is morally wrong; and I’ve seen the true nature of the wrongdoer himself and know that he’s related to me – not in the sense that we share blood and seed, but by virtue of the fact that we both partake of the same intelligence, and so of a portion of the divine.
None of them can harm me, anyway, because none of them can infect me with immorality, nor can I become angry with someone who’s related to me, or hate him, because we were born to work together like feet or hands or eyelids, like the rows of upper and lower teeth. To work against each other is therefore unnatural – and anger and rejection count as working against.”
This is a powerful passage made even more striking by the rhythm of the sentences. It sounds as if Marcus is lecturing himself, a declaration to tolerate the worst in people and to continue to work with them as best he can.
There are also times where Marcus’ cadence is abrupt:
“I consist of cause and matter.”
These types of pithy sentences and reflections are found throughout The Meditations. They reveal a man who is recording maxims to be remembered in the moment and apply them as best he can.
In a copywriting context, language is the type of imagery and descriptions that are used. Writing devices like metaphors, similes, symbolism and foreshadowing are all common.
The language of The Meditations is vivid, with Marcus using engaging metaphors and symbols to highlight themes of death, rebirth, life and fame. Here is a collection of some of my favourite entries with additional commentary:
“Beware of becoming Caeserified, dyed in purple.”
Marcus coined the term ‘Caeserified’ and was likely referring to Julius Caesar. In other words, don’t become a dictator and let your thoughts and actions be ‘dyed in the purple’ of excess, corruption and tyranny.
“Unlike a dance or a play or something like that, where if the performance is cut off at any point, the production as a whole is incomplete, the rational soul fully and completely finishes every one of its projects, whatever scene is being played and at whatever point it’s overtaken by death, so it can always say ‘I am fulfilled.’”
Marcus is referring to the rational soul acting virtuously all the time and that enlightenment is a timeless subject. If someone has perfected their reason, it won’t be made more perfect by living longer.
“Look at it this way; you’re elderly, put an end to allowing its enslavement; put an end to being tugged here and there like a puppet at the prompting of selfish impulses.”
Marcus uses this puppet analogy at several points in The Meditations and according to Robin Waterfield in his annotated version:
“He was probably thinking not so much of the kind of puppet that dangles from strings and is manipulated by a human agent as of the kind, popular in his day, that goes through its motions after being wound up, with its strings pulled by, for example, falling weights. In other words, his point is that it is a thoughtless, mechanical kind of action.”
“Be like a headland: the waves beat against it continuously, but it stands fast and around it the boiling water dies down.”
This analogy brings to mind the idea of resilience and the Stoic dichotomy of control. No matter how chaotic a situation, you have the power to control how you react.
Creating Marcus Aurelius’ brand tone of voice
Now that the The Meditations has been broken down into these areas, Marcus’ brand tone of voice can be summarised:
- Multiple grammar contractions indicate conversational tone
- Passages arranged into lists reveal a precise, orderly personality
Create your brand tone of voice with Stoic Athenaeum
Brand tone of voice is crucial to telling the story of your business. I use the above exercise to help clients develop their tone of voice for communicating their website, products and services to their customers.